Our white label streaming service if you need a front-end and backend ready-to-go.
Music catalog indigestion & delivery including metadata, assets and rights management.
A set documented APIs to help you implement streaming features in your existing platform.
A consultancy service to help you navigate the complex music licensing space.
What makes us different in the B2B music tech market is our innovative backend technology for streaming services. Our next generation cloud based infrastructure allow streaming services to scale on-demand and we can ingest millions of tracks in a matter of time without performance issues.
We are your 360º B2B music streaming technology partner that helps to quickly launch and grow streaming services around the world. The company develops simple, fast and engaging music, audio and video streaming platforms for enterprises and start-ups.
A new consumer survey called Indonesian Streaming Music Consumption 2016, commissioned by Australian company Tuned Global reveals reluctance to pay for music; acceptance of advertising.
Read the report below written by Brad Hill and initialy published in RainNews.
Study of Indonesian consumers reveals reluctance to pay for music; acceptance of advertising
A new consumer survey called Indonesian Streaming Music Consumption 2016, commissioned by Australian company Tuned Global, shines light into the music-listening habits and preferences of Indonesian consumers. Tuned Global, which helps major brands connect with consumers via mobile music solutions, gave an early release of the study to RAIN News.
Over 500 consumers were queried for this research, evenly split by gender, mostly Millennial. They were asked for their preferences in mobile streaming apps, their priorities in choosing apps, questions about their time spent streaming, and how they spend money on music. Over a third of respondents report streaming 1-2 hours per week via their phones, and one-quarter listen to three times that much.
YouTube reigns in Indonesian mobile listening — that is the first clear result. The free video-streaming platform is used “the most” by 58% of respondents. Second is an app called Joox, followed closely by Soundcloud. Twenty-six other choices form a very long tail of 10% or less. Brands familiar to the U.S. audience (e.g. TuneIn, Spotify, 8tracks) are in there.
Why is YouTube so popular? The first reason is that it’s free, given as the main reason by 57% of consumers. Other top reasons for choosing one app over another in Indonesia include content selection, sound quality, and ubiquity across device types.
Free listening is clearly a priority in this study’s cohort, as demonstrated when the questioning swung around to how much the respondents would be willing to pay for music. Over one-quarter expressed unwillingness to pay anything for music — “Music has no value for me” is how the research report phrases it. Another 48% said they might fork over 49,000 Indonesian Rupiah per month (that is $3.69 USD). Ten percent would pay $6 or more per month.
Given that reluctance to dish out payment for music, you might guess that this population has high acceptance for ad-supported music streaming, and that is the case for 62% of respondents. A slightly higher percentage (69%) would not pay to ditch the ads. Likewise, in the U.S., Pandora has found a high reluctance among its 80-million monthly users to pay $5/month for the ad-free plan, which has about 4-million subscribers.
The report concludes that in Indonesia, consumer hunger for free streaming provides a lesson for service owners: “Streaming services which base their model on subscriptions in that market need to innovate and offer more value to their users.”